Abbott and Costello play peanut and hot-dog (respectively) vendors who get themselves fired and chased off the lot; they hide out in one of the chutes out of which a bull is supposed to come out for a roping contest, and the bull rides by Bronco Bob, who panicks at the sight of it and thereby it’s able to gore Anne Shaw (Anne Gwynne) just. She also co-starred with Abbott and Costello in Africa Screams (1949) and Abbott and Costello Meet Captain Kidd (1952) as well as in the first season of their television show which ran from 1955 to 1956. I am particularly fond of her because she was born in my hometown of Astoria, Long Island City, New York. Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's. See full summary » Director: William A. Seiter Stars: Bud Abbott, Lou Costello, Brenda Joyce, Jacqueline deWit. In the first season, Bud Abbott and Lou Costello had a pet chimp named Bingo the Chimp. Costello didn't particularly like Bingo and apparently Bingo sensed it, because while they were filming a scene one day, Bingo turned and bit him. Although they would occasionally vary their standard formula in a few of their films, Abbott and Costello’s act remained mostly consistent throughout their two decades as a team. Abbott was something of a bully and a schemer, and Costello played the hapless childlike patsy who was known for catchphrases such as “I’m a ba-a-a-a-d boy!”.
Abbott and Costello Dice Routine
The classic Abbott and Costello dice routine, where Bud Abbott decides to fleece his buddy, Lou Costello, by teaching him how to play dice — but begins to suspect that Lou knows too much already! Done many times, including their first hit film, Buck Privates, as well as their television show
Bud Abbott: Did you ever play dice?
Lou Costello: No.
Bud Abbott: [Turns to friends and winks] Oh well I’d like to show you Lou.
Lou Costello: O.K.
Bud Abbott: There’s numbers on these dice from one to six. You roll them out on the blanket and if you get a six and a one, that’s a natural. you win. A four and a three, that’s a natural. You win.
Lou Costello: Well that’s all you do. Win.
Bud Abbott: Well, no.
Lou Costello: You mean you can lose too.
Bud Abbott: Yes, once in a while. If you roll a two and a one, that’s craps. You lose. If you roll two sixes, that’s craps. You lose. In other words–
Lou Costello: You can win and you can lose.
Bud Abbott: That’s all there is to it. Now is that simple?
Lou Costello: Can I play?
Bud Abbott: You wanna play?
Lou Costello: Yeah.
Bud Abbott: O.K. Here you are. [hands Costello the dice]
Lou Costello: What are these?
Bud Abbott: Dice.
Lou Costello: What do I do with those?
Bud Abbott: Well you roll them out on the blanket.
Lou Costello: O.K.
Bud Abbott: Now what happens if you roll a seven? What do you win?
Lou Costello: I win.
Bud Abbott: Well what do you win?
Lou Costello: Nothing.
Bud Abbott: You don’t want to win nothing. So we’ll put some money on it just to make it interesting.
Lou Costello: I don’t like to gamble.
Bud Abbott: We’ll call it bank night.
Lou Costello: If my mom found out I was gambling, she’d put soap in my mouth.
Bud Abbott: Call it bank night. Your mother plays bank night. All right. Put your money down.
Lou Costello: O.K.
Bud Abbott: Alright. Seven you win, craps you lose.
Lou Costello: O.K. Here I go. [Covers his eyes and rolls dice]Whee! [rolls a seven]I win! [goes to pick up the money]
Bud Abbott: Wait. You don’t pick it up right away.
Lou Costello: I don’t?
Bud Abbott: Not right away.
Lou Costello: But i do get to pick it up?
Bud Abbott: Oh yes.
Lou Costello: You mean I leave it lying there.
![Abbott and costello craps routine Abbott and costello craps routine](https://i0.wp.com/abbott-and-costello-whos-on-first.info/wp-content/uploads/abbott-and-costello-dice-routine.jpg?fit=480%2C360&resize=40%2C40)
Bud Abbott: Just for the time being.
Lou Costello: Until it gets up to my chin.
Bud Abbott: Oh yes.
Lou Costello Golden dynasty read online. : Then I send it down by truck.
Bud Abbott: You can do it anyway you want. So you like it so far?
Lou Costello: Oh it’s a good game.
Bud Abbott: How much do you want to shoot for now?
Lou Costello: Fade that.
Bud Abbott: [smacks Costello as if he’s hustling him] What’s this “fade that”?
Lou Costello: What did I say something wrong?
Bud Abbott: You said it too darn right.
Lou Costello: I heard it at the Rinky Dinks.
Bud Abbott: What’s the Rinky Dinks?
Lou Costello: The club where I belong.
Bud Abbott: Have you played before?
Lou Costello: They wouldn’t let me play. I’m too young. i saw the guys at the Rinky Dinks. They had sugar and they put black marks on them and I heard a kid go “WHEE” and i heard “fade that”. Is that a bad word?
Bud Abbott: No, it’s alright. Just as long as you didn’t play the game before.
Lou Costello: No, too young. Starting Tuesday I’m going out with girls.
Bud Abbott: Oh, sure. I thought you played the game. O.K. go ahead.
Lou Costello: My turn again?
Bud Abbott: Yep. Seven you win, Craps you lose.
Lou Costello: [covers his eyes and rolls dice] WHEE! [rolls seven] SEVEN AGAIN!
Abbott And Costello Craps Routine
Man #1: I think it’s beginners luck.
Bud Abbott: Hey that’s it. Beginners luck. How much do you want to shoot for now?
Lou Costello: Let it ride.
Bud Abbott: [smacks Costello again as if he was hustling him]
Lou Costello: What’s the matter i heard that at the Rinky Dinks. I heard a guy say that. Is that bad?
Abbott And Costello On Youtube
Bud Abbott: Have you played this game before? don’t lie to me Louie.
Lou Costello: They won’t let me play.
Bud Abbott: I hope not. O.K. There’s your dice. [hands Costello dice]
Lou Costello: I’m winning fair. ain’t I?
Bud Abbott: I don’t know i have my doubts now.
Lou Costello: [Covers his eyes and rolls dice] Whee! [rolls eleven] Eleven. What about that?
Bud Abbott: That don’t count. I don’t know why they put those numbers on the dice. don’t mean anything but I’ll give you another chance.
Lou Costello: [Covers his eyes and rolls dice] Whee! [rolls four]
Bud Abbott: Four.
Lou Costello: Little Joe.
Bud Abbott: [smacks Costello again]
Lou Costello: I heard it at the Rinky Dinks.
Bud Abbott: I ought to give it to you. If you roll a seven before you rolls that four you lose.
Lou Costello: [Covers his eyes and rolls dice] Whee! [rolls three]
Bud Abbott: You lose.
Lou Costello: How come?
Bud Abbott: What did you roll the first time?
Lou Costello: Four.
Bud Abbott: What did you just roll?
Lou Costello: Three.
Bud Abbott: Four and three is what?
Costello: Seven. Casino website software.
Bud Abbott: That’s all.
Lou Costello: He didn’t say anything about adding them up.
Bud Abbott: Well you do that. Now we’ll bet all the money. [rolls dice and rolls eleven] Eleven’s a natural.
Lou Costello: Eleven don’t count! You were nice to me and I’m nice to you so I’ll give you another chance. [smacks Abbott in the butt] That’s the only place i can hit you.
Bud Abbott: [rolls dice and rolls a six] Alright now six is my number. [rolls another six]
Lou Costello: Six again! You lose! You lose! You lose!
Bud Abbott: I got my point.
Lou Costello: What did you roll first?
Bud Abbott: Six.
Lou Costello: What did you just roll?
Bud Abbott: Six.
Lou Costello: Six and six is twelve. Craps, boxcars, big bennies!
Aboutuser
The film was Buck Privates, the second film made by Abbott and Costello and the first in whichthey starred — and an enormous hit (it grossed $4 million, more than anyprevious film in Universal’s history and more than How Green Was MyValley or Citizen Kane, on an investment of $180,000) that basically had itall: surprisingly lavish production values (though much of the mock-battlefootage was clearly stock from Universal’s newsreels), sprightly music (theAndrews Sisters are in the film and are featured almost as prominently asAbbott and Costello are!) and an unexpectedly topical theme. In October 1940,President Franklin Roosevelt signed America’s first peacetime conscription billin its history, and the bill was predictably controversial, especially amongthe still-powerful isolationists who wanted no part of the European or Asianwars. Roosevelt saw U.S. entry into World War II as inevitable and wanted us tobe prepared, and as part of the war-preparation effort he asked the moviestudios to make films illustrating life in the Army for the new draftees andpromoting both voluntary enlistment and cooperation with conscription.
Amongthe movies that got produced in response to the U.S. government’s call werethis one, Great Guns (a virtualcopy of Buck Privates made at 20thCentury-Fox with Laurel and Hardy instead of Abbott and Costello; left to theirown devices Laurel and Hardy could probably have made a considerably funnierservice comedy, as they had in 1932 with the first half of Pack UpYour Troubles, but they were given theirmarching orders by the “suits” at Fox and the result was a film that’sbasically Buck Privates, only notas good) and Caught in the Draft(a Paramount comedy that starred Bob Hope and was probably more influential forthe future direction of his career than it was as a movie in its own right: inorder to promote it, Paramount booked Hope to perform live at two Army bases,including Fort Ord near Monterey, California; and Hope enjoyed the experienceof performing at Army bases so much he literally did it for the rest of his career!)
![Craps Craps](https://i.pinimg.com/originals/9f/bd/fc/9fbdfc82468a62c26ed4d3ac274a0466.jpg)
Indeed, Charles thought themusic held up better than any other element in the film — though the Abbott andCostello verbal routines are still very funny (their main writer, John Grant,got a “special material” credit, and deserved it) and it was nice to see theirfirst one, in which Costello claims never to have played craps before but hiscommand of such gambling lingo as “fade it” and “let it ride” “outs” him — andin which for once it’s Costello who takes Abbott’s bankroll and not the otherway around (though Abbott cons Costello back and gets the money in a laterscene). I’ve had mixed feelings about Abbott and Costello; as a kid, watchingthese movies when San Francisco’s Channel 7 showed them early Saturdaymornings, I thought they were hilarious; later I thought Laurel and Hardy andthe Marx Brothers were a good deal funnier; then in the early 2000’s whenAmerican Movie Classics (in their death throes as a classic movie channel beforethey went all John Wayne or James Bond all the time) showed quite a few of theAbbott and Costello features, my reaction was that maybe they weren’t funnierthan Laurel and Hardy or the Marx Brothers but they’re a damned sight funnierthan just about anyone who’s done movie comedy since.
Abbott And Costello Free Movies
Leonard Maltin’s book MovieComedy Teams, published in 1970 and revised in 1974, wasappreciative of Abbott and Costello but also zeroed in on their main weakness:“[W]ith few exceptions, the team never strove to portray realistic charactersin their films. If they had any flaw, this was it. They always provided laughs,but they could never establish the bond that made Laurel and Hardy so popularwith audiences; they never convinced their fans that the two guys they wereplaying were real people, worth caring about.” (Neither did the Marx Brothers,but the Marxes made themselves such figures of anarchistic wish-fulfillmentthey didn’t need to.) Still, Buck Privates holds up pretty well; the drill sequence (in which Costello not onlycan’t tell his left from his right but, in its funniest gag, gets tired ofbeing told to put his rifle on his left shoulder, then on his right, then onhis left again ad infinitum andwhines to the drill sergeant, “Will ya make up your mind?”) was apparently largely improvised (and, accordingto one imdb.com commentator, was shown by the Japanese army as an alleged example of their enemy’sincompetence!), and though the gags are so old Aristophanes probably would haverejected them as too clichéd, they’re still funny.